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Anova PRO 3
Shipping July
Description
Introducing Anova PRO 3, an all-weather powerhouse production light, designed for broadcasters, filmmakers and content creators alike. Featuring class-leading power output, IP65 weather resistance and native V-Lock battery operation, the Anova PRO 3 is a highly versatile lighting tool equally at home in studio or on location. Packed full with innovative, time saving features from touchscreen display, in-built “Magic” eye optical light sensor, wireless lumenradio and app control, the Anova PRO 3 offers unrivalled versatility and performance.
What's in the box?
![Anova PRO 3](http://rotolight.com/cdn/shop/files/RL-ANVPRO3-Y-2.webp?v=1702552033&width=1000)
![](http://rotolight.com/cdn/shop/files/AP3-Thumbnail.webp?v=1704277846&width=1920)
![](http://rotolight.com/cdn/shop/files/ANOVAPRO3-IP65_rated.webp?v=1699454520&width=1000)
IP65 rated
Featuring IP65 water resistance, the AP3 has been designed for use in the most challenging of weather conditions, from heavy rain-showers, to snow. Combined with its classing leading power output, and native dual V lock battery operation, Anova PRO 3 is an all weather powerhouse, ideal for both outdoor and studio use making it a highly versatile tool.
Class Leading Power
Designed for both filmmakers and content creators alike, the Anova PRO 3 delivers a class leading output of over 22,000 lux, more than double the output of both the previous generation Anova, and even the AEOS 2 PRO.
![](http://rotolight.com/cdn/shop/files/ANOVAPRO3-Class_Leading_Power.webp?v=1699454520&width=1000)
Cutting-Edge Special Effects
Featuring our award-winning suite of CineSFX™ (Fire, Lightning, TV, Gunshot, Paparazzi and much more) add drama to a scene at a moment’s notice. Customize, save and instantly recall your favourite settings to reduce time on set or choose from the new and improved SFX presets.
Magic Eye
Featuring an industry-first, patented “Magic Eye” optical light sensor thats built right in to the front face, Anova PRO 3 can automatically measure and match to any Kelvin or HSI Colour on set, eliminating the need for a light meter and enabling filmmakers to easily balance lights on set.